Chamber Music Evening N° 1

Christina Bock Mezzo-Soprano
Robert Oberaigner Clarinet
Zoltán Mácsai Horn
Tibor Gyenge Violin
Michael Horwath Viola
Norbert Anger Cello
Michael Schöch Klavier

Johannes Brahms

  • Horntrio Es-Dur op. 40
  • Zwei Gesänge für eine Altstimme, Viola und Klavier op. 91
  • Klarinettentrio a-Moll op. 114

Expected concert duration including an interval: 100 minutes

  • 27.09.2018
    20:00 Uhr

Robert Oberaigner

Principal Clarinet

Zoltán Mácsai

Zoltán Mácsai ist ein ungarischer Hornist. Er studierte erst in Budapest und anschließend an der Hochschule für Musik »Hanns Eisler« in Berlin. Von 2003 bis 2008 spielte er als Solohornist beim Ernõ Dohnányi Symphonieorchester in Budapest

mit. Danach wirkte er beim Mozarteumorchester Salzburg. Seit 2016 ist er als Solohornist an der Sächsischen Staatskapelle Dresden engagiert.

Tibor Gyenge

Assistant 1st Concertmaster

Born in Sibiu, Romania, in 1989 into a Hungarian-Romanian family of musicians, Tibor Gyenge received his first violin lessons from his father. 

Subsequently he attended the Béla Bartók Music School and the Music High School in Szombathely before moving to Graz to study at the city’s University of the Arts under Prof. Silvia Marcovici. In 2012 he completed his bachelor’s degree with distinction. From 2014 to 2016 Tibor Gyenge studied for a master’s degree under Prof. Daniel Gaede at the Nuremberg University of Music. During these years he also held a teaching position at the university.

His musical education was further enriched by numerous master classes given by star violinists such as Zakhar Bron, Leonidas Kavakos, Daniel Stabrawa, György Pauk, Itzhak Rashkovsky, Krzysztof Wegrzyn, Ulf Hoelscher and Kristóf Baráti.


Tibor Gyenge’s skills in chamber music have been honed through contact with members of the Fauré, Manderling, Lindsay and Carmina Quartets, as well as collaborations with artists such as Rudolf Leopold, István Várdai, Claudio Martinez-Mehner, Christian Euler, Ivan Monighetti and principal players of the Vienna and Berlin Philharmonic orchestras.

As a soloist he has performed with the Hungarian Chamber Orchestra, the Camerata Pro Musica, the Bad Reichenhaller Philharmonic, the Savaria Symphony Orchestra and the Satu-Mare State Philharmonic “Dinu Lipatti”.

After a 12-month contract with the Bavarian Radio Symphony Orchestra, he was engaged as concertmaster at the State Philharmonic in Nuremberg.

Since 2016 Tibor Gyenge has been assistant 1st concertmaster of the 1st violins at the Staatskapelle Dresden.

Michael Horwath


Born in 1974, Michael Horwath took violin lessons in his hometown of Berlin before going on to study viola under Felix Schwartz at the city’s “Hanns Eisler” Academy of Music. In 1998 he continued his training with Erich Krüger in Weimar, where he also completed postgraduate studies.

Michael Horwath joined the Staatskapelle Dresden August 2000, and since 2004 has held the position of Vorspieler of the violas.

He has participated in numerous international master classes given by Kim Kashkashian, Jürgen Kussmaul, Thomas Riebl and Norbert Brainin.





Furthermore, he is a passionate performer of chamber music and a regular guest at international chamber music festivals such as the Concerts aux Iles du Bic in Canada.

Michael Horwath is a member of the Dresden String Quintet and the ensemble frauenkirche. He has performed as a soloist and chamber musician in the Semperoper Dresden, the Gewandhaus Leipzig, at the Schwetzingen Festival and the Kölner Philharmonie.

Norbert Anger


Norbert Anger is regarded as one of the most outstanding cellists of his generation, and has appeared as a soloist with major orchestras, such as the Orchestre de Paris, the State Symphony Orchestra of Moscow, the Staatskapelle Dresden and the Beethoven Orchester Bonn.

He has made guest-appearances at renowned international venues, such as the Salle Gaveau, the Salle Pleyel and the Comédie des Champs-Elysées, the Moscow Philharmonic and the Semperoper Dresden, and has collaborated with conductors such as Christian Thielemann, Vladimir Spivakov, John Storgårds and Andrea Marcon. 

Norbert Anger has impressed the music world as a laureate of many international competitions, such as the Concours Rostropovich in Paris, the Tschaikovsky Competition in Moscow, the Paulo Cello Contest in Helsinki and the Deutsche Musikwettbewerb. As a devoted chamber musician, he has worked together with many distinguished musicians, such as Hartmut Rohde, Latica Honda-Rosenberg, Wolfgang Emanuel Schmidt and David Geringas, and has performed at international music festivals, such as the Schleswig-Holstein Musik Festival, the Festspiele Mecklenburg-Vorpommern, the Ludwigsburger Schlossfestspiele and the Festival Mitte Europa.

Norbert Anger started his musical education at Dresden’s Special School of Music Carl Maria von Weber, with Christoph Schulze. Already at an early age, he attracted public interest by winning international competitions, such as the Vibrarte Competition in Paris and the Domenico Gabrielli Competition in Berlin. He completed his studies with Wolfgang Emanuel Schmidt at the Berlin University of Arts, and also gained valuable musical input from David Geringas, Heinrich Schiff and Sir Colin Davis.

In 2012, the German label Genuin Classics released his first CD with works by Beethoven, Brahms, Schumann and Debussy, which was highly praised by the press.

Since 2013, Norbert Anger holds the position of First Concertmaster of the cello section of the Staatskapelle Dresden, and recently in 2015, he was also named solo cellist of the Bayreuth Festival Orchestra.

As a laureate of the 21st Competition of the German Fund of Musical Instruments, he was entrusted with an instrument made by Andrea Guaneri, ex Ludwig Hoelscher, Cremona 1691 - a funding commitment by the Dr. Meyer-Struckmann Foundation. Presently, Norbert Anger plays a violoncello by Domenico Montagnana, ex Hekking, Venice 1721. 

Norbert Anger plays strings exclusively by Larsen strings A/S.

Michael Schöch

Michael Schöch beherrscht sowohl das Klavier- als auch Orgelspiel. Neben dem allgemein bekannten Konzertrepertoire versucht er viele in Vergessenheit geratene Werke in seine Konzerte einzubeziehen. Besonders intensiv setzt er sich mit dem Lied auseinander und führt immer wieder die Liederzyklen von Komponisten wie Schubert, Schumann, Strauss, Wolf etc. auf.

Bisher spielte er u. a. mit der

Berliner Philharmonie, dem Symphonieorchester des Bayerischen Rundfunks und dem Stuttgarter Kammerorchester zusammen. Bei dem Internationalen Musikwettbewerb der ARD 2011 wurde ihm der 1. Preis verliehen. Seit 2015 leitet Michael Schöch die Orgelklasse am Tiroler Landeskonservatorium in Innsbruck.