Osterfestspiele Salzburg: »Die Meistersinger von Nürnberg«

Christian Thielemann Dirigent
Jens-Daniel Herzog Inszenierung
Mathis Neidhardt Bühnenbild
Sibylle Gädeke Kostüme
Georg Zeppenfeld Hans Sachs
Vitalij Kowaljow Veit Pogner
Iurie Ciobanu Kunz Vogelsang
Günter Haumer Konrad Nachtigall
Adrian Eröd Sixtus Beckmesser
Levente Páll Fritz Kothner
Markus Miesenberger Balthasar Zorn
Patrick Vogel Ulrich Eißlinger
Adam Frandsen Augustin Moser
Rupert Grössinger Hermann Ortel
Christian Hübner Hans Schwarz
Roman Astakhov Hans Foltz
Klaus Florian Vogt Walther von Stolzing
Jacquelyn Wagner Eva
Sebastian Kohlhepp David
Christa Mayer Magdalena
Jongmin Park Ein Nachtwächter
Sächsische Staatskapelle Dresden
State Opera Chorus Dresden
Bachchor Salzburg

Richard Wagner

  • »Die Meistersinger von Nürnberg«

Neuinszenierung

Koproduktion mit: Semperoper Dresden, Tokyo Bunka Kaikan, New National Theatre Tokyo

  • 13.04.2019
    16:00 Uhr
    Salzburg, Großes Festspielhaus
  • 22.04.2019
    16:00 Uhr
    Salzburg, Großes Festspielhaus

Christian Thielemann

Principal Conductor

S Since 2012/13 season Christian Thielemann has been Principal Conductor of the Staatskapelle Dresden. Following engagements at the Deutsche Oper Berlin, in Gelsenkirchen, Karlsruhe, Hanover and Dusseldorf, in 1988 he moved to Nuremberg to occupy the post of Generalmusikdirektor. In 1997 he returned to his hometown of Berlin to direct the Deutsche Oper until 2004, when he became Music Director of the Munich Philharmonic, a post he occupied until 2011. In addition to his current position in Dresden, Thielemann has been Artistic Director of the Salzburg Easter Festival since 2013, where the Staatskapelle is resident orchestra.

In previous seasons Christian Thielemann has contributed greatly to the birthday celebrations for Wagner and Strauss. At the same time he has explored a wide range of music from Bach to Henze, Rihm and Gubaidulina in Dresden and on tour. In the Semperoper he recently conducted new productions of »Der Freischütz« and »Ariadne auf Naxos« while for the Salzburg Easter Festival he interpreted »Die Walküre« and »Tosca«.

Christian Thielemann maintains close ties to the Berlin Philharmonic Orchestra and the Vienna Philharmonic Orchestra, whose New Year’s Concert he conducted in 2019. Following his debut at the Bayreuth Festival in 2000, he has returned every

year to thrill audiences with benchmark interpretations. After serving five years as the festival’s Musical Advisor, in June 2015 he became its Music Director. In addition, he has been invited to conduct the leading orchestras of Europe, the United States, Israel and Asia.

As a UNITEL exclusive artist, Christian Thielemann has a comprehensive catalogue of recordings. His most recent projects with the Staatskapelle have been to record the symphonies of Johannes Brahms and Anton Bruckner as well as numerous operas.

Christian Thielemann is an honorary member of the Royal Academy of Music in London and holds honorary doctorates from the Franz Liszt University of Music in Weimar and the Catholic University of Leuven, Belgium. In May 2015 he was awarded the Richard Wagner Prize by the Richard Wagner Society of the city of Leipzig, followed by the Prize of the Semperoper Trust in October 2016. He is patron of the Richard-Wagner-Stätten in Graupa as well as the 49th International youth competition »jugend creativ« of the Volksbanken and Raiffeisenbanken. In 2019 he was awarded honorary membership of the Gustav Mahler Society in Hamburg. His recordings have been showered with awards.

State Opera Chorus Dresden

Had it not been for Carl Maria von Weber, Dresden’s opera chorus would not have been founded, or at least not on October 8, 1817. It was Weber who obtained royal approval for this initiative; after all, it was his artistic mission (and personal ambition) to establish a German opera company alongside the tradition-steeped Italian opera. Besides suggesting other reforms for the staging of opera, he argued that it was now essential to have a regular choir. The choir started to participate in the traditional Palm Sunday concerts as early as 1827. Major landmarks in its history include the performances in 1846, 1847 and 1849 of Ludwig van Beethoven’s Ninth Symphony under the later Kapellmeister Richard Wagner, who was forced to flee Dresden shortly after the last-mentioned performance.

Currently comprising 89 singers, the Dresden State Opera Chorus has now become one of Europe’s finest opera choruses and has been acclaimed as such in virtually every premiere review in recent years. This preservation of tradition, coupled with a growing awareness of quality, is indebted to such artists as Joseph Metzner, Wilhelm Fischer, Karl Maria Pembaur, Ernst Hintze, Gerhart Wüstner, Franz Peter Müller-Sybel, Hans-Dieter Pflüger, Matthias Brauer and Pablo Assante, who have led the choir through difficult times to the present day. The Dresden State Opera Chorus is currently directed by Jörn Hinnerk Andresen, who since assuming his post in 2014 has maintained and developed such qualities as tonal coherence, refinement and reliably consistent precision.

The State Opera Chorus of today has to a significant degree been shaped by its collaboration with the conductor Giuseppe Sinopoli, who died far too early and dedicated much time and effort to developing the choir’s artistic potential. Nowadays, the choir frequently demonstrates its qualities in operatic productions and concert performances. Radio, television and CD recordings bear further testimony to the immense prowess on account of which the State Opera Chorus is much sought after in many places besides Dresden: the choir receives invitations to perform at festivals, on tours and in concerts and has since 2013 worked together with the Staatskapelle Dresden at the Salzburg Easter Festival, which has been directed by Christian Thielemann ever since. October 8, 2017 marks the 200th anniversary of the founding of the Dresden State Opera Chorus.