Symphony Concert N° 7

Daniele Gatti Conductor
Sara Blanch Soprano
Christian Gerhaher Baritone

Gustav Mahler

  • »Der Schildwache Nachtlied« from »Des Knaben Wunderhorn«
  • »Das irdische Leben« from »Des Knaben Wunderhorn«
  • »Lied des Verfolgten im Turm« from »Des Knaben Wunderhorn«
  • »Wo die schönen Trompeten blasen« from »Des Knaben Wunderhorn«
  • »Revelge« from »Des Knaben Wunderhorn«
  • »Der Tamboursg'sell« from »Des Knaben Wunderhorn«
  • Symphony No. 4 in G major

A concert introduction will be offered 45 minutes before the beginning of each performance in the opera cellar of the Semperoper.

  • Sunday
    11:00 Uhr
  • Monday
    19:00 Uhr
  • Tuesday
    19:00 Uhr

Daniele Gatti


Daniele Gatti graduated as a composer and orchestra conductor at the Conservatorio Giuseppe Verdi in Milan. He is Chief Conductor of the Teatro del Maggio Musicale Fiorentino, Music Director of the Orchestra Mozart and Artistic Advisor of the Mahler Chamber Orchestra. From 2024 he will be Chief Conductor of the Sächsische Staatskapelle Dresden.

He was Music Director of the Teatro dell’Opera di Roma and he previously held prestigious roles at important musical institutions like the Accademia Nazionale di Santa Cecilia, the Royal Philharmonic Orchestra, the Orchestre National de France, the Royal Opera House of London, the Teatro Comunale di Bologna, and the Royal Concertgebouw Orchestra in Amsterdam. The Berliner Philharmoniker, the Wiener Philharmoniker, and the Orchestra Filarmonica della Scala are just a few of the renowned symphonic institutions he works with.

Some of the numerous and important new productions he has conducted include Parsifal staged by Stefan Herheim opening the 2008 Bayreuther Festspiele (one of the very few Italian conductors to have been invited to the Wagnerian festival) and four operas at the Salzburger Festspiele (Elektra, La bohème, Die Meistersinger von Nürnberg, Il Trovatore). He opened several seasons of the Teatro dell’Opera di Roma: La Damnation de Faust (2017-2018), Rigoletto (2018-2019), Les Vêpres Siciliennes (2019-2020), Il barbiere di Siviglia (2020-2021) and the world premiere of

Battistelli’s Julius Caesar (2021-2022). In 2023, as part of the 85th Festival of the Maggio Musicale Fiorentino, he conducted Falstaff and all the symphonies by Tchaikovsky. In summer 2025 he will return to the Bayreuth Festival for the new production of Die Meistersinger von Nürnberg.

Daniele Gatti was awarded the Premio “Franco Abbiati” from Italian music critics as best conductor in 2015, in 2016 he was awarded the Chevalier de la Légion d’Honneur from the French Republic for his work as Music Director of the Orchestre National de France and he was also awarded the Grand Officer of Merit of the Italian Republic.

Under Sony Classical he has recorded works by Debussy and Stravinsky with the Orchestre National de France, and a DVD of Wagner's Parsifal staged at the Metropolitan Opera in New York. Under the label RCO Live he has recorded Berlioz’s Symphonie Fantastique, several of Mahler’s Symphonies, a DVD of Stravinsky's Le Sacre du Printemps together with Debussy's Prélude à l'Après-midi d'un Faune and La Mer, a DVD of Strauss's Salome performed at the Dutch National Opera, a CD of Bruckner's Symphony n. 9 together with the Prelude and the Karfreitagszauber (Good Friday Music) from Wagner's Parsifal. In November 2019 a DVD of Wagner's Tristan und Isolde, staged at the Teatro dell'Opera di Roma, was released by C Major.

Sara Blanch

Born in Darmós (Tarragona), she studied at the Liceu Conservatory in Barcelona and currently receives advice of the soprano Mariella Devia.

She has been awarded in different competitions, among others the Montserrat Caballé, Mirabent i Magrans and Tenor Viñas 2016.

Among her future engagements: Médée at Teatro Real in Madrid, Le comte Ory in Bologna, Die Zauberflöte at the Wiener Staatsoper, Don Pasquale at the Royal Opera House in Muscat, Messiah at the Accademia di Santa Cecilia in Rome, Les Pêcheurs de perles in Cologne and L’Orontea at Teatro alla Scala in Milan.

After her successful debut in Barcelona with Lisistrata, by Albert Carbonell, she performed Britten's Little Sweep, Rita by Donizett and Orfeo ed Euridice, Un ballo in Maschera, La serva padrona, La cambiale di matrimonio and L’occasione fa il ladro in different Spanish theatres.

In 2013 she debuted at the Rossini Festival of Pesaro, performing the role of Folleville (Il Viaggio a Reims). In the same year she sang the role of the Queen of the Night (The Magic Flute) in Sabadell. She debuted at the Rossini in Wildbad Opera Festival in 2015 as Elvira (L'italiana in Algeri) and Aurelia in Lindpaintner’s Il Vespro siciliano, and came back in 2016 with Le Comte Ory and 2018 with Matilde di Shabran.

During her career she has debuted at the

Teatro de la Maestranza in Seville and Teatro Verdi in Salerno (The Magic Flute), Gran Teatre del Liceu in Barcelona (Thaïs, L’italiana in Algeri and L’enigma de Lea), Teatro de la Zarzuela (Châteux Margaux / La viejecita), Teatro Real Madrid (The golden Cockerl, Thaïs), Teatro Campoamor in Oviedo (L'elisir d'amore and Il Turco in Italia), Peralada Festival (Thaïs) and Teatre Principal in Palma de Mallorca (L’elisir d’amore).

Recent commitments include: Aureliano in Palmira at the Rossini Opera Festival in Pesaro, Lucia de Lammermoor in Oviedo and Palermo, Don Pasquale in Sevilla, Policías y ladrones at the Teatro de la Zarzuela, La clemenza di Tito at the Liceo, Don Giovanni in Perm, Adina and La scala di seta at Rossini in Wildbad Festival, Un ballo in maschera in Madrid and Barcelona, La fille du régiment at the Donizetti Festival in Bergamo, Falstaff in Valencia, L’elisir d’amore in Mallorca, Ariadne auf Naxos in Barcelona and Florence under Daniele Gatti, La Bohème in Rome, Il turco in Italia in Madrid, Lo sposo di tre e marito di nessuna, Orphée et Euridice and The Rake’s progress under Daniele Gatti in Florence, Die Zauberflöte at the Wiener Staatsoper as well as several concerts and recitals in France, Italy and Spain.

Christian Gerhaher


During his studies under Paul Kuen and Raimund Grumbach, German baritone Christian Gerhaher attended the Opera School of the Academy of Music in Munich and, together with Gerold Huber, studied lied interpretation with Friedemann Berger. While completing his medical studies Christian Gerhaher perfected his vocal training in master-classes given by Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf and Inge Borkh. At present Christian Gerhaher himself teaches occasionally in select master-classes and is an honorary professor at the Academy of Music in Munich. He holds the title Bayerischer Kammersänger, is an honorary professor at the Munich Academy of Music and Theatre and bearer of the Bavarian Maximilian Order for Science and Art.

Together with his regular piano accompanist Gerold Huber, Christian Gerhaher has devoted himself to lied interpretation for 30 years now, in concerts, recordings and in teaching, and they have been awarded major prizes. The lied duo can be heard on the stages of major international recital centres, for instance in the concert halls of New York, the Concertgebouw Amsterdam, the Cologne and Berlin Philharmonie and the Cité de la musique in Paris. They are particularly frequent guests in the Konzerthaus and the Teatro de la Zarzuela in Madrid as well as in the Wigmore Hall in London – there and in the Musikverein in Vienna Christian Gerhaher was artist in residence in recent years. He is a regular guest at festivals such as the Rheingau Music Festival, the London Proms, the Salzburg Festival as well as the Edinburgh and Lucerne Festivals.

Christian Gerhaher has performed together with conductors such as wie Simon Rattle, Daniel Harding, Herbert Blomstedt, Bernard Haitink, Christian Thielemann, Kirill Petrenko, Nikolaus Harnoncourt, Pierre Boulez, Daniel Barenboim, Andris Nelsons, Kent Nagano and Mariss Jansons in the world’s major concert halls. Major orchestras which regularly invite Christian Gerhaher to perform include the London Symphony Orchestra, the Concertgebouw Orchestra Amsterdam, and in particular the Berlin Philharmonic, where he was the first ever singer to be artist in residence, as well as the Swedish and especially the Bavarian Radio Symphony Orchestra. Together with this ensemble, conducted by Daniel Harding, Christian Gerhaher recorded his first album of arias devoted to opera in the German Romantic era and for which he received the International Opera Award 2013. In the meantime another opera recital was issued on CD in 2015: Mozart Arias accompanied by the Freiburg Baroque Orchestra.

The beginning of the 2020/21 season is overshadowed, as was the end of the past season, by the corona pandemic. Opera productions which had been planned for a long time, such as Wozzeck in Aix-en-Provence (July 2020 with Sir Simon Rattle/Simon McBurney) as well as concerts and lied recital tours could not take place, other engagements arise at short notice, often only as streamed concerts, for instance the Monday concerts of the Bavarian State Opera, or for audiences with a limited number of persons, such as the MDR Music Summer or the Festival d’Aix. A performance of Othmar Schoeck’s Elegie with the Basel Chamber Orchestra conducted by Heinz Holliger is intended to re-open the Basel Casino in August 2020.

Song recitals in Elmau, in the Wigmore Hall in London and at the Bavarian State Opera, with lieder by Franz Schubert and Alban Berg on the programme, mark the start of the season in September. Dates with the Bavarian Radio Symphony Orchestra (in October, Nuits d’été by Berlioz conducted by Stéphane Denève; in February 2021 Mahler’s Kindertotenlieder conducted by Robin Ticciati), the Swedish Radio Symphony Orchestra (in January 2021 Mahler’s Wunderhornlieder conducted by Daniel Harding, the Staatskapelle Weimar (in April 2021 Alphons Diepenbrock’s Im großen Schweigen conducted by Peter Gülke), recitals of Schubert’s Schwanengesang (Helsinki, Stockholm, London, Paris in January 2021 and in March 2021 in Hong Kong and Tokyo) are noted in the calendar.

Besides his principle activity giving concerts and recitals, Christian Gerhaher is also a highly sought-after performer on the opera stage and has received several prizes such as the Laurence Olivier Award and the theatre prize Der Faust. Under Riccardo Muti he sang Papageno in a production of »The Magic Flute« in 2006 at the Salzburg Festival (issued by Decca as a DVD. Other roles include Eisenstein (»Die Fledermaus«), Posa in Don Carlo, Olivier (»Capriccio«) as well as the title roles in Monteverdi’s L’Orfeo, in »Don Giovanni«, in Debussy’s »Pelléas et Mélisande« (CD with LSO Live, Simon Rattle), and in Henze’s »Prinz von Homburg«. Wolfram in Richard Wagner’s »Tannhäuser« was and remains a constant role in his calendar in the opera houses in Berlin, Vienna, London and Munich where he last sang the role in June 2017 in the new production by Romeo Castelluci. A milestone in Christian Gerhaher’s opera career was his debut in the title role of Alban Berg’s »Wozzeck« in September 2015 at Zurich Opera House in the exceptional staging by Andreas Homoki (available as a DVD on the Accentus label; Gramophone Award in 2017).

Christian Gerhaher’s CDs are issued by Sony Music, with which he has an exclusive partnership. Accompanied by Gerold Huber, the Schubert, Schumann and Mahler cycles have been released on this label. At present, together with BR Klassik, the classical music programme of Bavarian Radio, and the Heidelberg Liedzentrum, a large scale complete recording of all Robert Schumann’s songs is being made. In November 2018 the first album Frage was issued, for which Christian Gerhaher received the Gramophone Award as well as the Opus Klassik as Singer of the Year. The album Myrthen was issued in November 2019 and the release of the complete recording is planned for spring 2021.