Born in County Durham, Sarah Connolly studied piano and singing at the Royal College of Music, of which she is now a Fellow. She was made a DBE in the 2017 Birthday Honours, having previously been made a CBE in the 2010 New Year’s Honours. In 2011 she was honoured by the Incorporated Society of Musicians and presented with the Distinguished Musician Award. She is the recipient of the Royal Philharmonic Society’s 2012 Singer Award.
Recent highlights in opera have included Fricka (Covent Garden, Teatro Réal & Bayreuther Festspiele) Brangäne »Tristan und Isolde« (Covent Garden, Festspielhaus Baden-Baden, Glyndebourne Festival & Gran Teatro del Liceu); Komponist »Ariadne auf Naxos« and Clairon »Capriccio« (Metropolitan Opera); Gertrude in the world premiere of Brett Dean's »Hamlet« (Glyndebourne Festival); the title role in »Ariodante« (Wiener Staatsoper, Festival d’Aix-en-Provence & Dutch National Opera); Sesto »La clemenza di Tito« (Festival d’Aix-en-Provence); Purcell’s Dido (Teatro alla Scala & Covent Garden); Jocaste in Enescu's »Œdipe« (Covent Garden); Gluck’s Orfeo and the title role in »The Rape of Lucretia« (Bayerische Staatsoper); Phèdre »Hippolyte et Aricie« (Opéra national de Paris & Glyndebourne Festival) and the title role in »Agrippina« (Gran Teatro del Liceu).
Her many concert engagements include appearances at the Lucerne, Salzburg, Tanglewood and Three Choirs Festivals and at the BBC Proms where, in 2009, she was a memorable guest soloist at The Last Night. Other notable engagements have included »The Dream of Gerontius« (Boston Symphony Orchestra, Mozarteumorchester Salzburg); Mahler’s Symphony No. 3 at the BBC Proms (London Symphony Orchestra); »A Child of our Time« and Mahler’s Symphony No. 2 (Gewandhausorchester Leipzig, Boston Symphony Orchestra & Philadelphia Orchestra); »Das Lied von der Erde« (Concertgebouworkest, Rotterdams Philharmonisch Orkest); »Des Knaben Wunderhorn« (L’Orchestre des Champs-Elysées) and »La mort de Cléopâtre« (BBC
Symphony Orchestra). She collaborates with eminent conductors such as Daniel Harding, Sir Andrew Davis, Philippe Herreweghe, Sir Simon Rattle, Sir Colin Davis, Bernhard Haitink and Yannick Nézet-Séguin.
She has appeared in recital in London, New York, Boston, Philadelphia, Geneva, Madrid, Paris, Amsterdam, Rotterdam, San Francisco, Atlanta, Stuttgart; at the Incontri in Terra di Siena La Foce and the Schubertiada Vilabertran and at the Aldeburgh, Cheltenham, Edinburgh and Oxford Lieder Festivals. In the 2018/19 season she curated a Residency at Wigmore Hall.
Committed to promoting new music, her performances include Peter Lieberson’s »Neruda Songs« (BBC Symphony Orchetsra/Bělohlávek), and the world premieres of Mark Anthony Turnage’s »The Silver Tassie«; Sir John Tavener’s »Tribute to Cavafy« (Tallis Scholars/Phillips at Symphony Hall, Birmingham) and »Gnosis« (BBC Symphony Orchestra/Bělohlávek at the BBC Proms).
A prolific recording artist, her many discs include Purcell’s »Dido and Aeneas« (OAE); »Des Knaben Wunderhorn« (L’Orchestre des Champs-Élysées/Herreweghe - winner of an Edison Award); Brangäne »Tristan und Isolde« (LPO/Jurowski); Elgar’s »Sea Pictures« and »The Dream of Gerontius« (BBC Symphony Orchestra/Sir Andrew Davis – winner of a Gramophone Award); Britten's »Phaedra« (BBC Symphony Orchestra/Gardner) and Mendelssohn’s »Elijah«, Mozart’s »Mass in C Minor« and Haydn’s »Scena di Berenice« (Gabrieli Consort/McCreesh). Her roles on DVD include Giulio Cesare, Nerone, Clairon and Purcell’s Dido. Her recording of Handel arias with The Sixteen and Harry Christophers was described as ›the definition of captivating‹ and her three solo recital discs »The Exquisite Hour«, »Songs of Love and Loss« and »My true love hath my heart« have all won universal critical acclaim. She features on the soundtrack »Fragments of a Prayer« by Sir John Tavener, for the feature film »Children of Men«.